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Choosing an Editor Based on the Work, Not the Argument

Posted on October 11, 2026 By Gethin Moreau
Choosing an Editor Based on the Work, Not the Argument

I spent three hours last Tuesday watching a kid on YouTube explain how to choose editing software by comparing bitrates and codec support like he was discussing the structural integrity of a bridge. It was exhausting. He was talking about the engine, but he hadn’t even sat in the driver’s seat. We’ve reached this strange…

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Editing

Stop Saving for a Sensor That Won’t Save You: the Truth About Choosing the Right Camera Gear for Beginners.

Posted on October 8, 2026October 8, 2026 By Gethin Moreau
Stop Saving for a Sensor That Won’t Save You: the Truth About Choosing the Right Camera Gear for Beginners.

I spent three weeks on a documentary in the Highlands once, working with a kit that was essentially held together by gaffer tape and prayers, and I still got better coverage than half the kids I see today with $50,000 cinema rigs. There is this pervasive, exhausting myth that your talent is locked behind a…

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Filmmaking

The Complete Guide to Quoting Video Work

Posted on October 8, 2026October 8, 2026 By Gethin Moreau
The Complete Guide to Quoting Video Work

I once spent three days on a documentary shoot in a coastal village, sweating through my shirt and fighting a dying generator, only to realize at the wrap party that I’d forgotten to charge for the extra day of prep. I wasn’t just short on cash; I was short on the respect my time deserved….

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Guides

Delivering at the Right Loudness for Each Platform

Posted on October 6, 2026October 6, 2026 By Gethin Moreau
Delivering at the Right Loudness for Each Platform

I remember sitting in a dark control room ten years ago, watching a client’s face go from excitement to pure irritation as they struggled to balance a commercial against a music video. They were obsessing over peak levels and buying expensive, shiny new limiters, thinking a bigger number meant a better sound. They didn’t realize…

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Video

Where Video Budgets Actually Go Over

Posted on October 5, 2026 By Gethin Moreau
Where Video Budgets Actually Go Over

I once watched a production assistant spend forty minutes arguing over the rental rate of a specialized anamorphic lens while the sun was literally setting on the only natural light we had for the entire scene. We ended up with a beautiful piece of glass and a shot that looked like it was filmed in…

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Filmmaking

The Complete Guide to Travelling With Equipment

Posted on October 4, 2026 By Gethin Moreau
The Complete Guide to Travelling With Equipment

I once spent four hours in a humid terminal in Djibouti, sweating through my shirt because I’d insisted on bringing a secondary lighting kit that ended up being useless for the actual location. I had followed every “pro” checklist I could find, yet I was the one fighting my own kit instead of focusing on…

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Guides

A Pre-shoot Check That Takes Ten Minutes

Posted on October 4, 2026 By Gethin Moreau
A Pre-shoot Check That Takes Ten Minutes

I once spent three hours in a humid rental house in Marseille, watching a kid half my age obsess over a pressurized air canister and a specialized micro-fiber cloth, acting like he was performing surgery on a saint. He was terrified of a single speck of dust, convinced that his $40,000 sensor was a fragile…

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Cameras

Editing Offline and Relinking Without Panic

Posted on October 1, 2026October 1, 2026 By Gethin Moreau
Editing Offline and Relinking Without Panic

I spent three weeks on a documentary in the Highlands last year, only to watch a talented young editor nearly break a workstation because they insisted on cutting directly into the original 8K RAW files. They thought they needed a more powerful processor, a faster RAID, or a bigger budget, when all they actually needed…

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Editing

Cases That Protect Versus Bags You Can Actually Carry

Posted on September 29, 2026 By Gethin Moreau
Cases That Protect Versus Bags You Can Actually Carry

I once spent three hours lugging a “professional” hard-shell case through a rain-slicked alley in Marseille, only to realize the latch had seized and I was essentially carrying a very expensive, waterproof tomb for my sensor. Most gear reviews will tell you how to choose a bag or case based on crush ratings, waterproof zippers,…

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Cameras

Drone Work: Regulations Before Aesthetics

Posted on September 28, 2026September 28, 2026 By Gethin Moreau
Drone Work: Regulations Before Aesthetics

I remember standing on a ridge in the Highlands three years ago, watching a kid try to pull off a sweeping cinematic reveal with a consumer drone. He was so focused on the joystick that he didn’t notice the wind shear or the fact that he was hovering directly over a group of hikers who…

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Filmmaking

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Recent Posts

  • Choosing an Editor Based on the Work, Not the Argument
  • Stop Saving for a Sensor That Won’t Save You: the Truth About Choosing the Right Camera Gear for Beginners.
  • The Complete Guide to Quoting Video Work
  • Delivering at the Right Loudness for Each Platform
  • Where Video Budgets Actually Go Over

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