I remember sitting in a windowless edit suite in South London, three days into a documentary lockout, staring at a sequence that looked less like a story and more like a junk drawer. I had the best color science money could buy and a workstation that could probably launch a satellite, but I was drowning…
I remember a shoot in a cramped basement in Bristol, ten years back, where we were fighting a losing battle against a cheap LED panel that looked fine on the monitor but turned the lead actress’s skin a sickly, bruised shade of grey. We spent three hours trying to fix it in the grade, only…
I once spent three weeks finishing a documentary short, only to have the entire thing mothballed because I’d used a track that sounded “perfect” but lacked the proper clearances. I sat in a dark edit suite, staring at a beautiful sequence that was effectively dead on arrival because I’d prioritized the mood over the paperwork….
I spent three hours last Tuesday watching a junior editor try to “fix” a keyed shot using a magic plugin that cost more than my first car. He was staring at a subject whose hair looked like it had been dipped in radioactive lime juice, convinced that a better sensor or a smarter algorithm would…
I remember standing in a muddy field outside of Galway in ’98, watching a producer stare at a weather app like it was a holy text, convinced that a high-end weather-sealed sensor would somehow stop the sky from falling. We had spent three days prepping a lighting plot for a sunset that never came, only…
I spent most of my twenties watching people panic over bitrates and dynamic range numbers as if they were holy scripture, convinced that a higher price tag would somehow compensate for a lack of vision. I’ve seen wide-eyed kids walk into gear shops asking how to choose your first mirrorless camera based entirely on a…
I once spent three days on a documentary set in a cramped basement in Dublin, fighting a single, flickering fluorescent tube that refused to behave, only to realize the fix wasn’t a new fixture—it was a piece of black foam core and a better understanding of shadow. Most people approaching how to set up home…
Read More “Home Cinema Lighting: Why You Don’t Need More Gear, You Need Better Placement” »
I spent three weeks on a documentary set in the Pyrenees once, staring at a script that was technically perfect—beat for beat, structure for structure—but it felt like reading a technical manual for a machine that had no soul. People spend thousands on masterclasses and software, obsessing over whether they know how to write a…
I remember sitting in a tiny, windowless edit suite in South London, staring at a waveform that looked perfect on my $3,000 monitors, only to have the director tell me it sounded like canned garbage when he played it back on his laptop in the car. It’s a gut punch that never gets easier. People…
I’ve spent half my life watching people spend six months’ rent on a new drone, only to fly it like they’re playing a video game, producing nothing but shaky, nauseating sweeps that no editor on earth can save. They treat this supposed complete guide to drone filming like it’s a manual for a new piece…