I remember sitting in a dark rental house in South London, staring at a spinning beachball on a screen that cost more than my first car. I was trying to scrub through 8K RAW footage of a documentary subject, and every time I moved the playhead, the computer groaned like it was being asked to…
I remember sitting in a dim edit suite in London, ten years ago, staring at a mountain of nameless folders and a hard drive that sounded like it was trying to take flight. I had spent fourteen hours under hot lights, only to realize that because we hadn’t figured out how to organise media on…
Read More “A Folder Structure You Will Still Understand Later” »
I remember sitting in a cramped studio ten years ago, watching a kid spend three hours unboxing a high-end LED kit only to produce an image that looked like a flat, lifeless hospital corridor. He had the most expensive gear in the room, but he didn’t have a clue how to set up basic lighting…
I once spent three days on a documentary shoot in the Highlands, fighting the wind and a dying battery, only to have the entire project stall because the assistant editor couldn’t make sense of the drive I handed over. It wasn’t a codec issue or a lack of bandwidth; it was a lack of basic…
Read More “Delivery Specs You Should Ask for Before Shooting” »
I remember sitting in a dark control room ten years ago, watching a client’s face go from excitement to pure irritation as they struggled to balance a commercial against a music video. They were obsessing over peak levels and buying expensive, shiny new limiters, thinking a bigger number meant a better sound. They didn’t realize…
Read More “Delivering at the Right Loudness for Each Platform” »
I spent the better part of the nineties watching people sweat over the cost of a single roll of 16mm stock, a reality that forced us to actually look at the light before we ever touched the shutter. Nowadays, I see kids staring at spec sheets for $5,000 sensors, convinced that a higher bit rate…
I remember sitting in a dark edit suite fifteen years ago, watching a sequence I’d spent three days lighting perfectly—soft key from a window, a subtle rim to separate the subject from the shadows—only to realize the whole thing felt dead. The image was beautiful, but the audio was just a thin, hollow recording of…
I spent the better part of my twenties lugging heavy Arri kits and worrying about the cost of every foot of 16mm stock, so seeing the way people approach mobile filmmaking today is a bit of a trip. There is this pervasive, almost frantic idea that if your footage looks amateur, you just need a…
Read More “The 7 Best Essential Accessories for Mobile Video Creators to Level Up Your Content” »
I spent three hours on a rainy pier in Cornwall once, watching a kid half my age try to fix a jittery shot by adjusting every setting on a $2,000 gimbal. He was sweating, swearing at the software, and completely oblivious to the fact that the wind was hitting the sensor and his feet weren’t…
I spent three weeks in a humid, mosquito-ridden corner of Southeast Asia a few years back, carrying a rig that felt like it was trying to win a wrestling match with my spine. I had the latest high-bitrate beast, a sensor that could see in the dark, and enough glass to outfit a small studio,…