I spent the better part of my twenties hauling heavy Arriflexes through rainstorms just to get a single usable shot, back when every foot of film felt like it was being pulled directly from my own bank account. Nowadays, I watch kids spend three months’ rent on a mirrorless body with a spec sheet longer…
I remember sitting in a dim editing suite at three in the morning, staring at a rough cut that felt fundamentally broken. The lighting was moody, the blocking was tight, but the pacing was a disaster—the “soul” of the scene was just missing. People often make the same mistake when they move from film to…
I was halfway through a lighting setup in a damp basement in Bristol—the kind of location where the humidity feels like a physical weight—when I noticed a cluster of dark, stubborn spots blooming across my high-contrast sky shot. I spent twenty minutes in post-production trying to mask them out, only to realize I’d been fighting…
Read More “Sensor Cleaning: a No-nonsense Guide to Not Ruining Your Camera” »
I remember a shoot in a drafty warehouse outside of Bristol, ten years ago, where the producer spent forty minutes arguing about whether we needed a more expensive wireless follow-focus system. Meanwhile, the sun was dropping through a skylight that we hadn’t even accounted for, and the entire lighting plan was dissolving in real-time. That’s…
I spent three weeks in the High Atlas mountains a decade ago, lugging a kit that felt like it was designed by someone who had never actually walked more than ten feet from a studio power outlet. I had the best specs on paper, but by day four, I wasn’t looking at the sensor readout;…
Read More “Stop Buying Gear You Don’t Need: the Truth About Choosing the Right Camera for Travel.” »
I spent most of the nineties watching light meters dance while my hands were stained with celluloid, back when every foot of film was a literal line item on a budget. Nowadays, I see kids staring at spec sheets, convinced that the best ways to record high quality video involve upgrading to a sensor with…
I spent most of my twenties watching kids walk into a room with a brand-new camera and a massive credit card debt, thinking they could buy their way out of a bad setup. They’d spend three hours arguing over the dynamic range of a new sensor while the sun was literally setting outside the window….
I spent twenty minutes last week listening to a kid on a set explain why he needed a specific set of vintage primes because of their “soul,” while he was standing in a room lit by a single, flickering fluorescent tube. It’s the same old song: people think that understanding different types of camera lenses…
I see it every time I walk into a camera shop or scroll through a gear forum: someone is staring at a spreadsheet of specs, convinced that the secret to a “filmic” look is hidden in a specific sensor readout or a high-end digital kit they can’t quite afford. They think they’re looking for a…
Read More “The 7 Best Vintage Film Cameras for Beginners to Start Your Journey” »
I spent a good chunk of the nineties sitting in dark suites, nursing lukewarm coffee and watching editors struggle with hardware that had less processing power than your current toaster. Back then, if you wanted to cut a sequence, you didn’t browse a curated list of “top ten” YouTube influencers; you learned the machine or…