I remember sitting in a cramped control room ten years ago, staring at four different monitors while the talent’s sweat started to catch the overhead fluorescent light. We had three high-end cinema cameras, a synchronized clock, and enough cables to rewire a small apartment, yet the footage was useless because we hadn’t actually planned how…
I once spent three days on a corporate shoot in a basement with zero windows, watching a kid half my age try to fix a muddy, flickering key by buying a more expensive plugin. He thought the software was the solution, but the truth was much simpler: his light was hitting the fabric at an…
I spent three weeks on a documentary in the Highlands, obsessing over the exact Kelvin temperature of a single window light, only to realize later that half my audience wouldn’t even know what was being said because I’d neglected the basics. We spend thousands on anamorphic glass and high-bitrate codecs, thinking that’s what makes a…
Read More “The Complete Guide to Captions and Accessibility” »
I spent three hours last Tuesday watching a kid unbox a $4,000 cinema camera just to film himself talking about how much he loves “content creation.” It’s the same cycle I’ve seen for twenty years: people think a higher bit rate or a sharper sensor is going to fix a boring story or a poorly…
I spent three weeks on a documentary in the Highlands once, shooting on a camera that felt like it was held together by prayer and electrical tape, only to realize in the suite that the footage was practically useless because I hadn’t thought about the rhythm of the scene. People keep searching for a “complete…
I spent three weeks on a documentary in the Highlands once, shooting on a rig that cost more than my first house, only to realize the footage was absolute garbage because we hadn’t planned for the rhythm of the scene. You can spend your entire life chasing a “complete guide to cutting technique” through YouTube…
I spent three weeks on a documentary in the Highlands once, working with a kit that felt like it was held together by prayer and gaffer tape, only to realize the footage was wasted because the editor’s workstation couldn’t handle the codec. People will tell you that you need a subscription to every shiny, AI-driven…
I remember sitting in a dim edit suite in 2004, watching a progress bar stall and then vanish, knowing that three weeks of documentary footage had just evaporated into a digital void because I thought a single external drive was “enough.” People today act like a complete guide to backups and archiving is something you…
I once spent three days in a damp edit suite in Bristol, staring at a drive of corrupted files and unlabelled clips, wondering why I’d spent six weeks chasing the perfect backlight only to lose it all to a single, cheap SD card. People will try to sell you a “complete guide to media management”…
I spent three weeks on a documentary in the Highlands last year, only to realize I’d spent more time fighting my media management than actually finding the story. Everyone wants to sell you a “complete guide to editing workflow” that involves expensive plug-ins, high-end RAID arrays, and a dozen subscription services you don’t actually need….